I’m thinking back on the last time I travelled with students
in London.
We were in Ye Olde Cheshire
Cheese, an old pub (a bit touristy, but an old pub) with an interesting
literary history.
Dickens supposedly
wrote there, and the story goes that Oliver Goldsmith and James Boswell
frequented the place. (But then, what place didn’t they frequent, one wonders.)
Anyway, in the pub was a group of seven or eight
male orderlies from the nearby hospital.
They were talking a break after work. Big, burly, middle-aged men in
their scrubs.
They could tell we were
Americans, of course, and so they struck up a conversation.
When they found out we were studying
literature they began to question us.
“What
are you reading?” and more to the point “what do you know?” What they wanted to
know, really, was what could we recite.
One of them stood up with his pint in hand and began reciting Coleridge’s
“Kubla Khan.”
The students were
stunned.
Another man began on Milton’s “Lycidas”
and another did some Wordsworth, of course.
Then they turned to us.
“What
have you got.”
I was able to recite some
T. S. Eliot, but it was rough going. These working-class men knew their poetry,
and we did not.
It was an interesting
lesson and part of the reason for travel.
In my African-American Literature class this
term we are reading James Baldwin.
In
his introduction to
Nobody Knows My Name, he writes: “A European writer
considers himself to be part of an old and honorable tradition – of intellectual
activity, of letters – and his choice of a vocation does not cause him any
uneasy wonder as to whether or not it will cost him all his friends.
But this tradition does not exist in America”
(6-7).
Baldwin suggests that we feel
differently about writers and writing in America.
We think differently about the arts and about
vocations.
He leaves the U.S.A. for
Paris at one point in his career to learn about himself.
He learns as much about his own country as he does about himself.
He says “The writer is
meeting in Europe people who are not American, whose sense of reality is
entirely different from his own. They may love or hate or admire or fear or
envy this country [the U.S.A.] – they see it, in any case, from another point
of view, and this forces the writer to reconsider many things he had always
taken for granted. This reassessment, which can be very painful, is also very
valuable” (9). I think that is one of the great values of study abroad.
We can learn much about other cultures, but
we can learn just as much about our own culture, and indeed, about ourselves. I
can’t wait to learn more about myself this time across the pond. Studying
abroad is a transformational and enlightening experience.
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